Quintana: revista do Departamento de Historia da Arte is an annually published journal founded in 2002. It publishes original research works in any of the subfields belonging to the field of arts, without excluding the interdisciplinary approaches that enrich this kind of study. The journal is open to national and international contributions, both in the section Tema ‘Topic’, with invited authors for each monographic topic, and in the section Colaboracións ‘Contributions’, which receives articles with a free topic.
Quintana is indexed in SCOPUS, ESCI, ERIH PLUS, REDALYC, IBA, BHA, AATA, REGESTA IMPERII, Fuente Académica Premier, TOC Premier, ISOC, ULRICH, DIALNET, REDIB. The category ANEP is A.
In the RESH index, Quintana occupies, in the period 2004-2008, position 22 of 40, and in the IN-RECH index, position 20 of 46, among Spanish journals in Art History with most impact. The index that measures the impact is the citation index and, to calculate it, the citations in the main Spanish scientific journals and the citations received at the Web of Science have been taken into account.
The digital portal of Quintana is published in Galician, Spanish and English; the languages of publication are the Galician, Portuguese, Catalan, Spanish, French, English, Deutsch and Italian.
Issue/s in progress
CREATING AN IMPRINT, CREATING AN IMAGE. WAX SEALS AND REPRESENTATION OF GONZALO DE AGUILAR, ARCHBISHOP OF TOLEDO (ca. 1300-1353)
- María Dolores Teijeira Pablos
In the last 50 years, the History of Art has undergone a deep renewal that has entailed the expansion of both the typologies under study and the ways of approaching its scientific research, mainly based on the prominence given to the image and visual culture.
This article analyzes a type of artifact that has not usually been studied from the perspective of art history, but that has much to contribute to our current knowledge of the construction and reproduction of the figurative image in the Middle Ages: the wax seal. In this case, two imprints belonging to Gonzalo Pérez de Aguilar (ca. 1300-1353), bishop of Cuenca and Sigüenza and archbishop of Santiago de Compostela and Toledo, are studied; they combine the traditional figure of authority linked to the wax seal as an instrument of documentary validation, with innovations produced during the process of configuring individual identity, and its representation, in the Middle Ages.
Last issue
No 22 (2023)
Published: 2023-12-28
Table of contents
Editorial
Subject: Daedalus' travels: artists and cultural exchanges
"ROME IS FOUND WHERE IT IS STUDIED". TRAVELS, CHANGES AND ARTISTIC EXCHANGES IN THE MODERN AGE
- Beatriz Blasco Esquivias
PEDRO JALOPA ("ca." 1386/1391-1443): NEW MILESTONES OF AN EXTRAORDINARY LIFE COURSE
- Javier Ibáñez Fernández
"TANTO MONTA CORTAR COMO DESATAR". ON THE ORIGIN AND END OF JUAN GUAS
- Raúl Romero Medina
- Fernando Marías
Articles
THE COUNCIL OF TRENT AND THE ALTARPIECE OF THE ST. PETER’S CHAPEL IN THE CATHEDRAL OF MALLORCA
- Maria del Mar Escalas Martín
HABITABILITY, CINEMA AND CONFINEMENT. THE DOMESTIC AS AUDIOVISUAL SUPPORT
Domestic as audiovisual support
- Alberto E. García-Moreno
- María José Márquez-Ballesteros
- Javier Boned Purkiss
MILAGROS [MILI] PORTA (1918-1971): A MUSIC EDUCATIONIST FROM A CORUÑA AHEAD OF HER TIME
- María del Carmen Lorenzo Vizcaíno
Writings on... Ana Goy Diz
Events and trends
Reviews
BUILT AND THOUGHT: EUROPEAN AND TRANSATLANTIC CORRESPONDENCE IN THE HISTORIOGRAPHY OF ARCHITECTURE
- Santiago Rodríguez-Caramés