No 20 (2021)

Published: 2021-12-31

Table of contents

Editorial

EDITORIAL

  • Alfredo Vigo Trasancos
DOI: https://doi.org/10.15304/quintana.20.8101
Published: 31-12-2021

Subject. By Roads, Routes and Paths. Sounds, Visions and Reviews

VISUALIZING FORMS, SPACES AND CONTENTS ON THE JACOBEAN ROUTE: COMPOSTELA AND SAHAGÚN IN THREE WONDERFUL DECADES (1080-1110)

  • José Luis Senra
DOI: https://doi.org/10.15304/quintana.20.8070
Published: 31-12-2021

CULTURAL AND TERRITORIAL DIMENSION OF THE HISTORICAL WAYS IN GALICIA AND ITS INSTRUMENTS FOR PROTECTION

  • Carlos Nárdiz Ortiz
DOI: https://doi.org/10.15304/quintana.20.8051
Published: 31-12-2021

THE PLACES OF RELIGIOSITY AND RITUALS IN A SUSTAINABLE VISION

  • Olimpia Niglio
DOI: https://doi.org/10.15304/quintana.20.8052
Published: 31-12-2021

MUSICAL TRANSITS BETWEEN COLOMBIA AND VENEZUELA IN THE 19th CENTURY

  • Juan Francisco Sans
  • Jaime Cortés Polanía
DOI: https://doi.org/10.15304/quintana.20.8054
Published: 31-12-2021

TRANSFORMING TRAVELS OF CHARACTERS IN ICÍAR BOLLAÍN'S CINEMA

  • José Luis Sánchez Noriega
DOI: https://doi.org/10.15304/quintana.20.8053
Published: 31-12-2021

Articles

LUIS DE ACOSTA, SILVERSMITH, AND PEDRO ROLDÁN, SCULPTOR. ON THE FRIENDSHIP THAT UNITED THEM AND IN RELATION TO A NATIVITY SCENE THAT THEY SHARED

  • Fernando Quiles García
DOI: https://doi.org/10.15304/quintana.20.6434
Published: 31-12-2021

THE CRYING OF THE EXCAVATOR

POETICS OF THE OUTSKIRTS IN PIER PAOLO PASOLINI AND PEDRO COSTA

  • José Manuel López
DOI: https://doi.org/10.15304/quintana.20.7149
Published: 31-12-2021

REFLEXIVITY AND SELF-CONSCIOUS IRONY IN SPANISH MUSICAL CINEMA OF THE SEVENTIES

  • Santiago Lomas Martínez
DOI: https://doi.org/10.15304/quintana.20.7178
Published: 31-12-2021

EL AURA DE LA COPIA. NOTAS A PARTIR DE COPIA CERTIFICADA (A. KIAROSTAMI, 2010)

  • María del Carmen Molina Barea
DOI: https://doi.org/10.15304/quintana.20.7199
Published: 31-12-2021

THE VANGUARD IN THE SACRED SPACES OF THE SPANISH AGRARIAN COLONIZATION

  • Plácida Molina Ballesteros
DOI: https://doi.org/10.15304/quintana.20.7219
Published: 31-12-2021

REN HANG’S PHOTOGRAPHIC WONDERLAND: AN ANALYSIS OF HIS GENDERLESS VISUAL LANGUAGE

  • Maite Luengo Aguirre
DOI: https://doi.org/10.15304/quintana.20.7471
Published: 31-12-2021

A AMNESIA DE CLÍO, A GALICIAN OPERA IN THE CONTEMPORARY PARADIGM

  • Rosa María Fernández
DOI: https://doi.org/10.15304/quintana.20.7446
Published: 31-12-2021

ART AND TECHNIQUE: DRAWINGS AS A SOURCE OF INFORMATION ON ARTISTIC PRACTICE. THE VALADIER WORKSHOP, ROMAN GOLDSMITHS OF THE XVIII AND XIX CENTURIES

A oficina dos Valadier, ourives romanos dos séculos XVIII e XIX

  • Teresa Leonor Vale
DOI: https://doi.org/10.15304/quintana.20.7472
Published: 31-12-2021

FROM THE ANTINEUTRAL SUIT TO THE METALLIC DRESS. ITALIAN FUTURISTIC FASHION

  • Juan Agustín Mancebo Roca
DOI: https://doi.org/10.15304/quintana.20.7461
Published: 31-12-2021

ORPHISM BETWEEN RELIGION AND ART

  • Sérgio Manuel Valadas das Neves
DOI: https://doi.org/10.15304/quintana.20.6502
Published: 31-12-2021

EUGENIO F. GRANELL IN “LA VOZ DE GUATEMALA”. POLITICAL AND CULTURAL RADIO DISCLOSURE IN THE DIASPORA

  • Inmaculada Real López
DOI: https://doi.org/10.15304/quintana.20.6949
Published: 31-12-2021

THE ALLEGORY OF DIVINE JUSTICE

  • María Montesinos Castañeda
DOI: https://doi.org/10.15304/quintana.20.6796
Published: 31-12-2021

Writings on... Diego Antonio Cernadas de Castro, priest of Fruíme

SANTIAGO DE COMPOSTELA IN 1759. THE PROCLAMATION OF CHARLES III IN THE INGENIOUS WRITING OF THE CURA DE FRUÍME, DIEGO CERNADAS DE CASTRO

  • Alfredo Vigo Trasancos
  • Julio Vázquez Castro
DOI: https://doi.org/10.15304/quintana.20.8062
Published: 31-12-2021

CARTA-QUENTA, O RAZÓN EN SUMA DE LAS FESTIVAS GOZOSAS DEMOSTRACIONES CON QUE LA CIUDAD DE SANTIAGO DE GALICIA CELEBRÓ LA SOLEMNE ACLAMACIÓN DE NUESTRO REY CARLOS III

  • Diego Antonio Cernadas de Castro
DOI: https://doi.org/10.15304/quintana.20.8056
Published: 31-12-2021

Events and trends

AS MIRADAS DE ISAAC. UN ACHEGAMENTO Á INABARCABLE FIGURA DE DÍAZ PARDO

  • Agar Ledo Arias
DOI: https://doi.org/10.15304/quintana.20.8120
Published: 31-12-2021

Reviews

Reforma y tradición en el románico gallego. Los ejemplos de Rebordáns y Mondoñedo. Javier Castiñeiras López, Universidad de León-Instituto de Estudios Medievales, León, 2020. 419 págs. ISBN 978-84-9773-627-5

  • Francisco de Asís García García
DOI: https://doi.org/10.15304/quintana.20.7464
Published: 31-12-2021

La ciudad de los saberes en la edad moderna. Alicia Cámara, Álvaro Molina, Margarita Ana Vázquez Manassero (Eds.), Ediciones Trea, Piedras Angulares, Gijón, 2020. 291 págs. ISBN 978-84-18105-00-5

  • Alfredo Vigo Trasancos
DOI: https://doi.org/10.15304/quintana.20.8072
Published: 31-12-2021

The city of blue and white: Chinese porcelain and the early modern world. Anne Gerritsen, Cambridge University Press, 2020. 354 págs. ISBN 978-11-0849-995-8

  • TIAN ZENG
DOI: https://doi.org/10.15304/quintana.20.7450
Published: 31-12-2021

La conferencia de museos de 1934, en perspectiva. Actas congreso internacional de museografía. Alicia Herrero Delavenay y Carmen Sanz Díaz (Ed. y Coord.), Real Academia de Bellas Artes de San Fernando, Madrid, 2018. 358 págs. ISBN 978-84-9640-648-3

  • Clara Moura Soares
DOI: https://doi.org/10.15304/quintana.20.7675
Published: 31-12-2021

Exposiciones y comisariado. Relatos cruzados. Olga Fernández López, Ediciones Cátedra, Madrid, 2000. 280 págs. ISBN 978-84-376-4135-5

  • Rocío Robles Tardío
DOI: https://doi.org/10.15304/quintana.20.8073
Published: 31-12-2021

Semejanzas, afinidades, correspondencias. Relaciones del cine con las artes visuales y la música. Jorge Oter, Imanol Zumalde y Santos Zunzunegui, Universidad del País Vasco / Euskal Herriko Unibertsitatea, Bilbao, 2020. 172 págs. ISBN: 978-84-1319-292-5

  • Daniel Coves
DOI: https://doi.org/10.15304/quintana.20.7657
Published: 31-12-2021