No 10 (2011)

Arte e identidade

Published: 2012-12-20

Table of contents

Presentation

Presentation

  • Diego Calvo Pouso

Editorial

Editorial

  • María Luisa Sobrino Manzanares
Published: 20-12-2012

Subject

Spanish Postcards

  • Estrella de Diego Otero
DOI: https://doi.org/10.15304/qui.10.657

Music and national identity in Spain between the wars: The popular concerts of the Circulo de Bellas Artes (1914-1924)

  • Beatriz Martínez del Fresno
DOI: https://doi.org/10.15304/qui.10.658

National identity and Spanish cinema: The género chico in Spanish silent cinema. A discussion of the cinema adaptation of La verbena de la Paloma (Jose Buchs, 1921)

  • Joaquín Cánovas Belchí
DOI: https://doi.org/10.15304/qui.10.659

An analysis of the identity of Portuguese-Brazilian cities: Some views on the landscape heritage of Olinda and Ouro Preto

  • Marcelo Almeida Oliveira
DOI: https://doi.org/10.15304/qui.10.660

Articles

An architecture for the silence. The mortuary at Boisaca’s cemetery in Santiago de Compostela

  • Enrique Fernández Castiñeiras
DOI: https://doi.org/10.15304/qui.10.661

Creating the national museum: Art exhibitions and identity in post-colonial Jamaica

  • Carlos Garrido Castellano
DOI: https://doi.org/10.15304/qui.10.662

The mural paintings of the palace of the Marquesses of Quintanar in Segovia

  • Lucía Gómez Robles
DOI: https://doi.org/10.15304/qui.10.663

A Roman model for 18th-century Spanish ecclesiastical architecture: The cloister plan in Valencia

  • Pablo González Tornel
DOI: https://doi.org/10.15304/qui.10.664

Success, (hyper-)visibility, ambivalence: The installations of Mona Hatoum

  • María Lumbreras
DOI: https://doi.org/10.15304/qui.10.665

Unknown artworks and further considerations regarding Paolo de Matteis, Giuseppe Simonelli, Lorenzo Ruggi and other followers of Luca Giordano

  • Marco di Mauro
DOI: https://doi.org/10.15304/qui.10.666

Dali’s illustrations for "Les Chants de Maldoror": The carnal nature of objects

  • Iván Moure Pazos
DOI: https://doi.org/10.15304/qui.10.667

Santiago de Compostela and the end-of-the-century crisis (1699-1716): Some views on a “Portuguesestyle Baroque”

  • Iván Rega Castro
DOI: https://doi.org/10.15304/qui.10.668

Dissemination in online contemporary art museums: information versus contextualization

  • José Nicolás del Río Castro
DOI: https://doi.org/10.15304/qui.10.669

The theosophical floral iconography of Piet Mondrian

  • Iñigo Sarriugarte Gómez
DOI: https://doi.org/10.15304/qui.10.670

Writings on...

The collectivist urban dream of a young architect from A Coruña: An analysis of the conference paper "Un tema de Urbanismo" (A question of town planning) given by Santiago Rey Pedreira in A Coruña in 1928

  • Alfredo Vigo Trasancos
DOI: https://doi.org/10.15304/qui.10.671

A question of town planning

  • Santiago Rey Pedreira
DOI: https://doi.org/10.15304/qui.10.672

Events and trends

The codices of the Sistine Chapel: Illuminated manuscripts in Spanish collections

  • Mercedes López-Mayán Navarrete
DOI: https://doi.org/10.15304/qui.10.673

Today we begin to speak

  • Pedro de Llano Neira
DOI: https://doi.org/10.15304/qui.10.674

Reviews

Miguel Cortés Arrese, "Estilos de vida en Bizancio" and "Las órdenes militares de los románticos"

  • Juan M. Monterroso Montero

Fernando Galván Freile, "Imágenes del poder en la Edad Media"

  • M. Dolores Barral Rivadulla

Patricia Andrés González, "Arte, fiesta e iconografía en torno a la eucarístía. Juan de Arfe y su obra: la custodia monumental de Valladolid"

  • Juan M. Monterroso Montero

Alfredo J. Morales, "La piel de la arquitectura. Yeserías sevillanas de los siglos XVII y XVIII"

  • Miguel Ángel Cajigal Vera

Cristina Castel-Branco, (dir.), "A água nos jardins portugueses"

  • Jesús Ángel Sánchez García

Pilar Mogollón Cano-Cortés, "La restauración monumental durante la posguerra en Extremadura y la Dirección General de Bellas Artes 1940-1958"

  • Salvador Andrés Ordax