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Alba Calo Blanco
Universidade de Santiago de Compostela
Spain
https://orcid.org/0000-0002-0975-2271
No 61 (2023), Notes
DOI: https://doi.org/10.15304/bgl.61.9420
Submitted: 03-10-2023 Accepted: 10-10-2023 Published: 20-12-2023
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Abstract

The following note aims to address the question of the authenticity of literary places in a specific literary context, the genre of historical fiction, which is characterised by, to a greater or lesser extent, mixing real elements and events with fictional ones to make the plot presented more enjoyable for the consumer. In this way, we will try to analyse two key spaces of the Outlander book saga, also adapted into a television series, such as Craigh Na Dun and Culloden, in the light of, mainly, two studies: Quinteiro and Baleiro (2017) and Reijnders (2011).

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References

Gabaldon, D. (2017). Forastera (Saga Outlander 1). Salamandra [Versión para Kindle].

Gabaldon, D. (2021). Prólogo. En S. Heughan e G. McTavish (Aut.), Tierra de Clanes: whisky, guerras y una aventura escocesa sin igual (pp. 13-17). Principal de Libros.

Moore, R. D. (2014-). Outlander. Sony Pictures Television.

Quinteiro, S. e Baleiro, R. (2017). Estudos em literatura e turismo: conceitos fundamentais. Universidade de Lisboa.

Quermia, C. (2021). El efecto Outlander y su influencia en el patrimonio. Hispania Nostra De Autor [en liña]. https://deautor.hispanianostra.org/el-efecto-outlander-y-su-influencia-en-el-patrimonio-2/

Reijnders, S. (2011). Places of the imagination. Places of the imagination: media, tourism, culture, 13-20. Surrey.