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Sofia Araújo
Instituto Politécnico do Porto / CETAPS / CITCEM / ILC-ML (FLUP)
Portugal
No 57 (2020): 2nd semester, Notes, pages 5-15
DOI: https://doi.org/10.15304/bgl.57.7102
Submitted: 16-09-2020 Accepted: 02-11-2020 Published: 29-12-2020
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Abstract

In any dystopian literary context – whether a full-fledged dystopian text or as the setting for a utopian counter-proposal –, the last man, the lone individual, the sole survivor is often read as the guardian of that which was and takes on a civilizational role. This analysis of three different novels – Mary Shelley’s The Last Man (1826), Pepetela’s O Quase Fim do Mundo (2013), and Miguel Real’s O Último Europeu 2284 (2015) – allowed for the establishing of the key traits shared by these literary and philosophical characters, thus confirming that this figure so well-loved by the Romantics continues to hold considerable plasticity and allusive potential.

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References

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