Vol 12 No 12 (2013) | Quintana: revista do Departamento de Historia da Arte

Vol 12 No 12 (2013)

En torno a la mirada

Subject: Approaches to the visual world

Published: 2014-12-15

Table of contents

Presentación

Diego Calvo Pouso

Editorial

Alfredo Vigo Trasancos

Preparing oneself for the Other’s view: origin, meanings and functions of the oldest pendants made with seashells

José Manuel Vázquez Varela

DOI: https://doi.org/10.15304/qui.12.2276

A Bruges-school Renaissance triptych in Castrojeriz (Burgos) and the influence of Virgin and Child with Canon Van der Paele in Castile

Didier Martens

DOI: https://doi.org/10.15304/qui.12.2277

The cinematographic trompe-l’oeil

Víctor I. Stoichita

DOI: https://doi.org/10.15304/qui.12.2278

Viewpoints and wounds: Towards the defining of forms of stylisation in Spanish cinema after the civil war (1939-1950)

José Luis Castro de Paz

DOI: https://doi.org/10.15304/qui.12.2279

Intermediate spaces and the defining of a regional architecture: A brief history of the home and domesticity in southeastern Mexico (Mérida)

Gladys Noemí Arana López

DOI: https://doi.org/10.15304/qui.12.1299

Published: 10-12-2014

Robert Morris and the present continuous in the image of the Labyrinth of Pontevedra

Xosé Antón Castro Fernández

DOI: https://doi.org/10.15304/qui.12.1268

Published: 10-12-2014

A Coruña, a summer resort of the 1930s: Two hotel projects by Antonio Tenreiro and Peregrín Estelles

Juan David Díaz López

DOI: https://doi.org/10.15304/qui.12.1263

Published: 10-12-2014

Venice is sad: The Anonymous Venetian (Enrico Maria Salerno, 1970)

Francisco Juan García Gómez

DOI: https://doi.org/10.15304/qui.12.1289

Published: 10-12-2014

Ceremonial practices on the staircase of El Alcazar in Madrid

Jorge Martínez Montero

DOI: https://doi.org/10.15304/qui.12.1260

Published: 23-09-2013

The rural Baroque in the lands of Santiago: The shrine of A Escravitude and the problem of artistic centres

Iván Rega Castro

DOI: https://doi.org/10.15304/qui.12.1298

Published: 10-12-2014

Looking at the old towns in Galicia. Precedents on the understanding of the urban landscape as a heritage

Jesus Angel Sánchez García

DOI: https://doi.org/10.15304/qui.12.1297

Published: 10-12-2014

Jacques Demy’s ideal city: Nantes, a city reflected in other ports

Bárbara Santos Mato

DOI: https://doi.org/10.15304/qui.12.1284

Published: 10-12-2014

The 18th Biennale of Sydney: A critical look at the Antipodes

Carlos Tejo Veloso

DOI: https://doi.org/10.15304/qui.12.1288

Published: 10-12-2014

Pace and Filmmaking

Ángel Luis Hueso Montón

DOI: https://doi.org/10.15304/qui.12.2280

Pace and Filmmaking

Carlos Velo

DOI: https://doi.org/10.15304/qui.12.2282

Playgrounds: living-room revolutions

Roque Lazcano Vázquez

DOI: https://doi.org/10.15304/qui.12.2281

The wit of “ultra-comedy”

José Luis Vila Leirós

DOI: https://doi.org/10.15304/qui.12.2283

L. Buttà (Ed.), Narrazione exempla retorica. Studi sull’iconografia dei soffitti dipinti nel medioevo mediterraneo

Rosa María Rodríguez Porto

S. Morales Cano, Moradas para la eternidad. La escultura funeraria gótica toledana

Juan M. Monterroso Montero

J. Calatrava y G. Zucconi (Eds.), Orientalismo. Arte y arquitectura entre Granada y Venecia

Alfredo Vigo Trasancos

S. Hernández Barbosa, Sinestesias. Arte, literatura y música en el París fin de siglo (1880-1900)

Jesús Ángel Sánchez García

A. Hernández Martínez, Ricardo Magdalena. Arquitecto municipal de Zaragoza (1876-1910)

Javier Ordóñez Vergara

Mª del M. Lozano Bartolozzi y V. Méndez Hernán, (Eds.), Paisajes modelados por el agua: entre el arte y la ingeniería

Juan M. Monterroso Montero

L. F. Gibellini, Construyendo un lugar / Constructing a place

Manuel Martínez Torres

J. Rebentisch (Dir.), Juzgar el arte contemporáneo / Judging Contemporary Art

Raquel Cascales Tornel

J. Maderuelo, Caminos de la escultura contemporánea

María Luisa Sobrino Manzanares

VV.AA., Conocimiento y percepción del patrimonio histórico en la sociedad española

Begoña Fernández Rodríguez