Vol 26 (2020)

Published: 2021-06-30

Table of contents

Robert Marrast (1928-2015)

  • Jean-François Botrel
Published: 30-06-2021
Pages 1-4

Lía Schwartz (1941-2020)

  • Sagrario López Poza
Published: 30-06-2021
Pages 5-6

The Familiar Reader Faced with Lo prohibido.

  • Ana Baquero Escudero
Published: 30-06-2021
Pages 7-25

La Fontana de Oro (1870) in the television projection of Galdós: from the programme Los libros (1974) to the television movie Prim, el asesinato de la calle del Turco (2014).

  • Elena Cueto Asín
Published: 30-06-2021
Pages 27-41

The Dialog between Novel and Cinema. A reading of Campo francés by Max Aub, from Benito Pérez Galdós.

  • Federico Gerhardt
Published: 30-06-2021
Pages 43-57

«Vámonos a la frontera»: exile in the second series of Episodios nacionales by Benito Pérez Galdós.

  • David Loyola López
Published: 30-06-2021
Pages 59-75

Don Beltrán de Urdaneta, Character in the Third Series of Episodios nacionales: a Galdosian antecedent to the Marqués de Bradomín?

  • Ermitas Penas Varela
Published: 30-06-2021
Pages 77-84

Readings of Benito Pérez Galdós from the Silver Age

  • María Luisa Sotelo Vázquez
  • Blanca Ripoll Sintes
Published: 30-06-2021
Pages 85-100

«France Makes Me Fall in Love, Paris Seduces Me». Galdós and his literary time in France (1898-1901).

  • Dolores Thion
Published: 30-06-2021
Pages 101-122

Articles

Bio-Thanatic Metaphoricity in Jorge Manrique’s Coplas

  • Javier Roberto González
Published: 30-06-2021
Pages 123-148

«I found other people who ate men: The deformity of their gesture says it»: (re)visiting the cannibal in the Columbian writtings

  • Maria Joao Dodman
Published: 30-06-2021
Pages 149-161

Sonnet Variants in 16th Century Portuguese Literature. Sonnets without legs and sonnets with gloss

  • Rita Marnoto Marnoto
Published: 30-06-2021
Pages 163-186

Love Poetry of Ḥassāni Women: Lyrics of three Old Songs

  • AHMED-SALEM OULD MOHAMED BABA
Published: 30-06-2021
Pages 187-198

Antonio de la Iglesia and the Diffusion of Galician Literature in 1856: A project of literary anthology.

  • Ricardo Axeitos Valiño
Published: 30-06-2021
Pages 199-221

Eduardo López Bago, activist, polemicist and radical plagiarist of naturalism in Uruguay.

  • Daniel Docampo Jorge
Published: 30-06-2021
Pages 223-341

An example of translation of the Spanish essay genre: the work Idearium español by Ángel Ganivet (1897) and its translation into English as Spain: an interpretation (1946)

  • María del Carmen Moreno Paz
Published: 30-06-2021
Pages 343-363

The other one as a mirror. Approaches to the process of religious and identity transculturation in Saramago, Labarca and Costa

  • Patricia Péndola
Published: 30-06-2021
Pages 365-384

Los hombres pueden ser dioses, by Gallego Tato: an unsuccessful

  • María Teresa Amado Rodríguez
Published: 30-06-2021
Pages 385-399

Links Between the Introductory Poetry by José Ángel Valente and the Spectral Flamenco by Mauricio Sotelo: the inconclusive project Mnemosine o el teatro de la memoria

  • Guillermo Aguirre Martínez
Published: 30-06-2021
Pages 401-413

The Reception of Greco-Roman Myths in Claribel Alegria’s Saudade: your absence is a raven

es un cuervo tu ausencia

  • Josefa Fernández Zambudio
Published: 30-06-2021
Pages 415-428

Memory of the Dictatorship/dictablanda of Sensitive Memory in the Self-fiction of Manuel Vicent

  • Carlos Vadillo Buenfil
Published: 30-06-2021
Pages 429-452

Muñeca brava by Lucía Guerra: body, space and language in the Chilean context of the nineties.

  • Marina González Estévez
Published: 30-06-2021
Pages 453-461

Nina Cassian: variable trajectory and constant personality

  • Adina Ioana Vladu
Published: 30-06-2021
Pages 463-477

Reviews

Ovide (2017): Les Métamorphoses. Texte latin établie par George Lafaye, préface de Pierre Judet de La Combe et traduction, postface et notes par Marie Cosnay. Paris : Éditions de l’Ogre, 528 pp.

  • Pedro Fernández Requena
Published: 30-06-2021
Pages 479-482

Carmen PEÑA ARDID (ed.): Historia cultural de la Transición. Pensamiento crítico y ficciones en literatura, cine y televisión. Madrid: Los libros de la Catarata, 2019, 270 pp.

  • Carmen Medina Puerta
Published: 30-06-2021
Pages 483-488

Antonia AMO SÁNCHEZ: De Plutón a Orfeo. Los campos de concentración en el teatro español contemporáneo (1944-2015). Bilbao: Artezblai, 2020, 255 pp.

  • Maria Lopo
Published: 30-06-2021
Pages 489-492