No 17 (2018)

Published: 2019-03-01

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Table of contents

Editorial

Editorial

  • Alfredo Vigo Trasancos
Published: 01-03-2019

Subject. Permeable walls: heritage, identity and interculturality

The origin of the cultural definition of Mudéjar art: The crucial years of 1975 to 1984

  • Gonzalo M. Borrás Gualis
DOI: https://doi.org/10.15304/qui.17.5603
Published: 01-03-2019

Uncertain times: Delacroix and his ode to liberty

  • Manuel Núñez Rodríguez
DOI: https://doi.org/10.15304/qui.17.5607
Published: 01-03-2019

Architecture, memory and the future: The mosque-cathedral of Cordoba

  • Michele Lamprakos
DOI: https://doi.org/10.15304/qui.17.5604
Published: 01-03-2019

The gardens of the heritage buildings in the middle zone of Caceres: From locus amoenus to modern-day landscaping

  • Mª del Mar Lozano Bartolozzi
DOI: https://doi.org/10.15304/qui.17.5606
Published: 01-03-2019

On territory: Socially committed artistic practices

  • María Luisa Sobrino Manzanares
DOI: https://doi.org/10.15304/qui.17.5608
Published: 01-03-2019

The transparent polyhedron or the value of cinematographic images

  • Ángel Luis Hueso Montón
DOI: https://doi.org/10.15304/qui.17.5605
Published: 01-03-2019

Articles

Juan Gutiérrez de Escalante and Santander Cathedral’s Santiago chapel

  • Miguel Ángel Aramburu-Zabala
DOI: https://doi.org/10.15304/qui.17.4247
Published: 01-03-2019

The final GATEPAC project: Sixto Illescas’s project for the expansion district of A Coruña design contest in 1940

  • Francisco Dinís Díaz Gallego
DOI: https://doi.org/10.15304/qui.17.3896
Published: 01-03-2019

University heritage: The illustrated editions of the works of Ovid held at the University of Santiago de Compostela’s General Library

  • Fátima Díez Platas
DOI: https://doi.org/10.15304/qui.17.5320
Published: 01-03-2019

Monastic emblematics in tiles: The hieroglyph programme at the church of Nossa Senhora do Terço, in Barcelos (Portugal)

  • José Julio García Arranz
DOI: https://doi.org/10.15304/qui.17.4179
Published: 01-03-2019

San Vicente de Frías Blues

  • Marina Aurora Garzón Fernández
DOI: https://doi.org/10.15304/qui.17.5183
Published: 01-03-2019

The architect Pedro de Morlote of Trasmiera and the new chevet of Mondoñedo Cathedral (1598-1603)

  • Javier Gómez Darriba
DOI: https://doi.org/10.15304/qui.17.5173
Published: 01-03-2019

The uprooting of the eye: The development of the spectator as a tourist of images in the 19th century

  • Javier Luri-Rodríguez
DOI: https://doi.org/10.15304/qui.17.4100
Published: 01-03-2019

The visual and written representation of Aranjuez (Spain) in Hieronimus Gundlach’s manuscript, Nova Hispaniae Regnorum Descriptio (1606): The idealisation of a Royal Site

  • Magdalena Merlos Romero
DOI: https://doi.org/10.15304/qui.17.4267
Published: 01-03-2019

Oviedo Express by Gonzalo Suárez: The genre degenerated (once again)

  • Xosé Nogueira Otero
DOI: https://doi.org/10.15304/qui.17.5181
Published: 01-03-2019

Civil silversmithing in Santiago de Compostela at the turn of the 20th century through unpublished photographs from the archive of the silversmith Ricardo Martínez Costoya

  • Ana Pérez Varela
DOI: https://doi.org/10.15304/qui.17.5174
Published: 01-03-2019

Gentrification and artistic community in Lisbon

  • Miguel Anxo Rodríguez González
  • Iago Lestegás
DOI: https://doi.org/10.15304/qui.17.5161
Published: 01-03-2019

The archaeology and architecture of San Martiño de Mondoñedo (Foz, Lugo): A critical review and new approaches

  • José Carlos Sánchez Pardo
  • Javier Castiñeiras López
  • Jorge Sanjurjo Sánchez
DOI: https://doi.org/10.15304/qui.17.4039
Published: 01-03-2019

Forgotten traceries: The Gothic cloister of Santa María de Sasamón

  • Cristina Tuimil Fernández
DOI: https://doi.org/10.15304/qui.17.5182
Published: 01-03-2019

The controversy surrounding Antonio Vendetti (1699-1796), a silversmith and bronzesmith working between Rome and Madrid: The importance of drawing and modelling as a form of expression and skill of 18th-century silversmiths

  • Teresa Leonor Vale
DOI: https://doi.org/10.15304/qui.17.3974
Published: 01-03-2019

Writings on...

Recalling the Orient: A lesson given in Santiago de Compostela in 1889

  • Juan M. Monterroso Montero
Published: 01-03-2019

Solemne apertura del curso 1889 a 1890. Discurso inaugural leído por el Sr. D. José M. Fenollera Ibáñez

  • José María Fenollera Ibáñez
Published: 01-03-2019

Events and trends

Strategies of displacement: Antoni Muntadas

  • Miguel Anxo Rodríguez González
Published: 01-03-2019

Crisis at the MARCO

  • Antón Patiño
Published: 01-03-2019

Reviews

V. Mínguez and I. Rodríguez (Dirs.), La Piedad de la Casa de Austria. Arte, dinastía y devoción, by Juan M. Monterroso Montero

  • Juan M. Monterroso Montero
Published: 01-03-2019

F.J. Aranda Pérez and D. Martín López (Coords.), La Toledo que alentó al Greco. Paseos por la ciudad que confortó a un artista sorprendente, by Jesús Félix Pascual Molina

  • Jesús Félix Pascual Molina
Published: 01-03-2019

J. P. Lorente, Grandes críticos de arte (1750-2000). Surgimiento y desarrollo de una profesión en crisis permanente, by Juan M. Monterroso Montero

  • Juan M. Monterroso Montero
Published: 01-03-2019