Vol 14 No 14 (2015)

Published: 2016-12-21

Table of contents

Presentation

Presentation

  • Valentín González Formoso
Published: 21-12-2016

Editorial

Editorial

  • Alfredo Vigo Trasancos
Published: 21-12-2016

Subject: The colours of fear: art, war and terror

The image of the Turk in Cinquecento Sicily

  • Marco Rosario Nobile
DOI: https://doi.org/10.15304/quintana.14.3822
Published: 21-12-2016

Pax hispánica? Fortifications in Lombardy in the times of Philip III (1598-1621)

  • Marino Viganò
DOI: https://doi.org/10.15304/quintana.14.3823
Published: 21-12-2016

On a war footing: strategic images of the ports of A Coruña and Ferrol under the threat of naval attack (1621-1639)

  • Alfredo Vigo Trasancos
DOI: https://doi.org/10.15304/quintana.14.3824
Published: 21-12-2016

The engineer draughtsman and the universality of the art/technique duality in 18th-century military cartography

  • Juan Miguel Muñoz Corbalán
DOI: https://doi.org/10.15304/quintana.14.3825
Published: 21-12-2016

A path on this red earth: fear, censorship, homecomings. The vital experience of Spanish musicians before and after their exile in Mexico: three case studies

  • Consuelo Carredano
DOI: https://doi.org/10.15304/quintana.14.3826
Published: 21-12-2016

War films: bodies, spaces and truth

  • Quim Casas Moliner
DOI: https://doi.org/10.15304/quintana.14.3827
Published: 21-12-2016

Articles

Castelao’s self-caricatures: the construction of an iconic identity

  • Susana Cendán Caaveiro
DOI: https://doi.org/10.15304/quintana.14.2148
Published: 21-12-2016

A house for the traveller: the origins of the hotel in Galicia

  • Juan David Díaz López
DOI: https://doi.org/10.15304/quintana.14.2491
Published: 21-12-2016

The two sides of the bourgeois city: the example of Pontevedra

  • Carla Fernández Martínez
DOI: https://doi.org/10.15304/quintana.14.1684
Published: 21-12-2016

The Claire S. Copley Gallery and the dialogue between North America and Europe during the time of conceptual art (1973-1977)

  • Pedro de Llano Neira
DOI: https://doi.org/10.15304/quintana.14.2324
Published: 21-12-2016

The lectures given by Giulio Carlo Argan in Madrid (1964): the perspective of Jorge Oteiza

  • Emma López-Bahut
  • Amparo Casares-Gallego
DOI: https://doi.org/10.15304/quintana.14.2322
Published: 21-12-2016

László Moholy-Nagy: from “photoplastic” art to total architecture

  • Juan Ignacio Prieto López
DOI: https://doi.org/10.15304/quintana.14.1689
Published: 21-12-2016

Santiago de Compostela’s Holy Year celebrations and the recovery of modernity in Galician architecture (1948-1965)

  • Antonio Santiago Río Vázquez
DOI: https://doi.org/10.15304/quintana.14.1685
Published: 21-12-2016

Rich fabrics in the court of New Spain

  • Inmaculada Rodríguez Moya
DOI: https://doi.org/10.15304/quintana.14.2323
Published: 21-12-2016

Faced by the truth: notes of the authenticity of the image

  • Santos Zunzunegui
  • Imanol Zumalde
DOI: https://doi.org/10.15304/quintana.14.1860
Published: 21-12-2016

Writings on... John Williams

On that which was announced at different times: John W. Williams (1928-2015) and the Cathedral of Santiago at the Crossroads of Spanish Art in the Central Middle Ages

  • José Luis Senra Gabriel y Galán
DOI: https://doi.org/10.15304/quintana.14.3819
Published: 21-12-2016

“Spain or Toulouse?” A half century later observations on the chronology of Santiago de Compostela

  • John Williams
DOI: https://doi.org/10.15304/quintana.14.3820
Published: 21-12-2016

Events and trends

The figures of inequality: art+women. Female Galician visual artists

  • Miguel Anxo Rodríguez González
DOI: https://doi.org/10.15304/quintana.14.3821
Published: 21-12-2016

Reviews

N. Marinho Ferreira Alves y J.J.B. Ferreira Alves (Coords.), O convento e a venerável ordem terceira de São Francisco do Porto, por Juan Manuel Monterroso Montero

  • Juan Manuel Monterroso Montero
Published: 21-12-2016

Mª. del P. García Cuetos, El lenguaje de las Bellas Construcciones. Recepción y restauración de la arquitectura andalusí, por Juan Manuel Monterroso Montero

  • Juan Manuel Monterroso Montero
Published: 21-12-2016

A. delle Foglie y F. Manzari, Riscoperta e riproduzione della miniatura in Francia nel Settecento. L’abbé Rive e l’Essai sur l’art de vérifier l’âge des miniatures des manuscrits, por Mercedes López-Mayán Navarrete

  • Mercedes López-Mayán Navarrete
Published: 21-12-2016

M. de los R. Hernández Socorro (Com.), José Luján Pérez: el hombre y la obra 200 años después, por Juan Manuel Monterroso Montero

  • Juan Manuel Monterroso Montero
Published: 21-12-2016

I. Rose–deViejo, La Real Fábrica de Papeles Pintados de Madrid (1786-1836). Arte, artesanía, industria, por Leticia Bermejo de Rueda

  • Leticia Bermejo de Rueda
Published: 21-12-2016

J. R. Alonso Pereira, El París de Le Corbusier, por Jesús Ángel Sánchez García

  • Jesús Ángel Sánchez García
Published: 21-12-2016

J. Martínez Moro, Arqueología del arte moderno. Cuerpo, objeto y lugar en un horizonte de extinción, por Pablo Allepuz García

  • Pablo Allepuz García
Published: 21-12-2016