No 11 (2012): Art, nature and landscape, Articles
Submitted: 18-12-2013
This text looks at the industrial, artistic and narrative transformations that a sizeable proportion of modern-day television fiction has undergone. These transformations have led to said body of work and its creators becoming an essential textual source for approaching some of the finest work being generated by our audiovisual culture (and for understanding the audiovisual medium itself), and for offering a bold appraisal of the current state of our contemporaneity.
cinema and television, complexity, deconstruction, dissolution, hybridisation, hypermodernity, identity, intertextuality, imaginary world(s), madness, mutation, neo-story, postmodernism