UN ESTUDIO SOBRE EL SÍMIL Y LA PURIFICACIÓN EN LA “FILOSOFÍA DE LA DECORACIÓN” DEL ARTE ISLÁMICO IRANÍ DESDE EL PUNTO DE VISTA DE IBN ARABI
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El arte islámico iraní trata de las obras de cultura y civilización de la nación iraní en la era islámica. En su naturaleza pensante y epistemológica, tiene un lenguaje diferente al símil y la purificación y se asocia a una rica filosofía llamada “decoración” basada en manifestaciones espirituales. Por ello, al crear obras basadas en una actitud de símil y purificación, nunca se ha descuidado la existencia de la verdad y se ha considerado al mundo del arte como manifestación de la verdad. Esta investigación es descriptiva y analítica a la vez. A través de documentos consultados en bibliotecas y observaciones de campo, se recolectaron varios datos examinando los principios y componentes del símil y la purificación con énfasis en el punto de vista de Ibn Arabi y analizando cómo el artista musulmán usó la combinación de los dos componentes en la filosofía de la decoración. Los resultados muestran que el "símil y la purificación", como enfoque místico, ha llevado a la formación de un lenguaje especial en la estructura del arte iraní; por lo tanto, en la filosofía de la decoración, el artista místico la ha utilizado como herramienta para manifestar la belleza y la perfección de Dios en las formas a través de la encarnación de la unidad.
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