El diálogo entre la novela y el cine. Una lectura de Campo francés de Max Aub, desde Benito Pérez Galdós

Abstract

In 1965 Max Aub published Campo francés, a book that aims to represent the experience of refugees from the Spanish Civil War in the French concentration camps. With this objective, the book adopts a form that mixes the cinema and the novel, with the dialogue-novels of Benito Pérez Galdós as an explicit precedent. Based on this reference, the article analyzes the influence of the Canary writer in the conception of Campo francés.