The rock carvings of Bouça da Cova da Moura (Ardegães, Maia, Northern Portugal) in the context of Late Prehistory in the Leça basin
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Vol 31 (2012), Articles
Submitted: 25-03-2013
Accepted: 25-03-2013
Abstract
The aim of this paper is to offer an overview of the rock art assemblage at Bouça da Cova da Moura in its local and regional contexts. The site is located in Ardegães, parish of Águas Santas, municipality of Maia, district of Porto, in north-western Portugal. Fieldwork carried out in the end of the 20th century and the beginning of the 21st century, resulted in the discovery of new carved surfaces in the place where the well-known ‘pedra partida de Ardegães’ had been found; it was not only possible to unveil aspects related to its topographical context but also to discover other materialities which are spatially related to the rock carvings.
Stylistic analysis undertaken to the set of carvings allow us to consider that we are beyond an assemblage which is partly constituted of rock art compositions belonging to the prehistoric art tradition conventionally called atlantic art, there is one schematic human figure and other motifs that belongto historical periods.
In the vicinities of the carved outcrops there are megalithic monuments dated to the Neolithic, scatters of pottery fragments probably dated to the Copper Age, evidence for a Bronze Age occupation site, as well as clusters of surface finds from the same period. Overall, the field data recovered so far is extremely relevant for the analysis of the biography of this place at a small scale of analysis. The integration of this locus in a wider spatial scale, i.e. in the plateau that cuts across the territory in the north-south direction linking it to the Bougado hills, allow us to admit that this rock art complex would be part of a vast territory of symbolic significance in Late Prehistory. Thus, the distinct archaeological remains may be the materialisation of the importance of this geomorphological unit in the cognitive map and ideological universe of the prehistoric communities who dwelled, over a long period of time, along the middle basin of the River Neiva. These different materialities would result from a process of addition in the occupation of the plateau, of its reuse and reinterpretation in a cyclical time.
Stylistic analysis undertaken to the set of carvings allow us to consider that we are beyond an assemblage which is partly constituted of rock art compositions belonging to the prehistoric art tradition conventionally called atlantic art, there is one schematic human figure and other motifs that belongto historical periods.
In the vicinities of the carved outcrops there are megalithic monuments dated to the Neolithic, scatters of pottery fragments probably dated to the Copper Age, evidence for a Bronze Age occupation site, as well as clusters of surface finds from the same period. Overall, the field data recovered so far is extremely relevant for the analysis of the biography of this place at a small scale of analysis. The integration of this locus in a wider spatial scale, i.e. in the plateau that cuts across the territory in the north-south direction linking it to the Bougado hills, allow us to admit that this rock art complex would be part of a vast territory of symbolic significance in Late Prehistory. Thus, the distinct archaeological remains may be the materialisation of the importance of this geomorphological unit in the cognitive map and ideological universe of the prehistoric communities who dwelled, over a long period of time, along the middle basin of the River Neiva. These different materialities would result from a process of addition in the occupation of the plateau, of its reuse and reinterpretation in a cyclical time.
Keywords:
North-west Portugal, Rock carvings, Bouça da Cova da Moura, Neolithic-Bronze Age, Biography of a place